![]() ![]() Vital in how it uses lyrical vitriol to unveil the strangest of details about the strangest of people in the strangest of spaces. They proceed to punch an astoundingly intense, feral raucous, and rampaging experimental rave every time with Most Normal, their most importantly Most Now album, standing as a continuation of how a band can curate such mighty work whilst exceeding expectations, excelling acclaim, trumping anticipation upon each whole release. This is a retort, a response, a rollicking tossing of industrial noise punk that distorts the walls of the shadows that this year, and the year before that, and the year before that, somehow stinks the entire globe out the more it is copied and stretched over. This is their new album, their new name, their new statement – an abrasive diatribe against the Machiavellian, masochistic apparatuses of 2022 that Gilla Band, musically scathing and lyrically speaking cannot help but be troubled by what keeps ticking and chewing on, is forever, unsurprisingly found rolling around in its own digital filth. ![]() One weened and seized with a carnivorous circus of consumer goods complimented by cinnamon sprinkled television repeats and completed by repeat prescriptions to ease the bite of the next big governmental lie pulsating at the postmodern nexus and the queer media Jesus with their pronouns neatly displayed on a button badge on their Burton blazer is nailed to the cross above it all. #Logic under pressure download full album how toSimply put, and all the more compelling because of how such a buzz about such a band, with such a capital artistic punch, can emanate from an independent record label is doubly a damn fine demonstration about how to captivate the anarchic imagination rolling around a society anaemic with informational fever. As put into practice on their monstrous new album on Rough Trade: Most Normal. Yet Gilla band brands us, break us, rebuilds us, by branching out into something else, something higher, something heavier. Never exactly no wave or precisely post-punk or finitely indie because there is no longer enough safety (has there ever been without the baggage of boredom that comes nestled in such defiant taglines and terms?) in things that are precise, or finite. Entirely their own to build, entirely their own to break. Gilla Band remain one of the finest groups to emerge out of a generation obsessed with, blessed, and possessed by, a certain raging noise. ![]()
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